“Cool” Theft: AAVE Appropriation as a Tool of White Hegemony by Anna Lehn

The 1940s archival footage may be grainy, but the big band and its lead singer, Helen O’Connell, are lily white. Her blond perm, powdered nose, and demure blouse pop in the delicate grays of black and white film. So it may come as a surprise to contemporary audiences when she opens her mouth to sing, … Continue reading “Cool” Theft: AAVE Appropriation as a Tool of White Hegemony by Anna Lehn

Didn’t I See That Before?: Edgar Allan Poe’s “Cask of Amontillado” Seen in Saw & Saw IV by T. Madison Peschock

For the past decade, the humanities have been on the decline, and STEM (science, technology, engineering, and math) courses have been on the rise.  As recent as February 2020, InsideHigher Ed.com reported that many “humanities programs had been frozen in line with what [is] described as a national trend of declining student interest in these … Continue reading Didn’t I See That Before?: Edgar Allan Poe’s “Cask of Amontillado” Seen in Saw & Saw IV by T. Madison Peschock

Shoes, Rap Music, and Guns: Transitional Objects as Objective Correlatives in Ishmael Beah’s A Long Way Gone by Tanya Stafsholt Miller

When a person has gone through extreme trauma, writing about it can have a healing effect. The act of shaping the words on a page puts the trauma outside the self and becomes an entity of its own that can be shaped and molded. Some trauma victims use writing to expunge emotional baggage—writing it down … Continue reading Shoes, Rap Music, and Guns: Transitional Objects as Objective Correlatives in Ishmael Beah’s A Long Way Gone by Tanya Stafsholt Miller

“It’s Not the Teacher’s Job”: Talking About Death and Death-Related Grief with Picture Books in Classrooms by Jongsun Wee and Heather J. Fye

Introduction Death was not taboo in children’s literature before the 20th century (Clement and Jamali 5), but its presence disappeared from after World War I to the 1970s in Western children’s literature (12). Death is still a controversial topic and difficult to talk about. Some adults may avoid discussing death as they wish to guard … Continue reading “It’s Not the Teacher’s Job”: Talking About Death and Death-Related Grief with Picture Books in Classrooms by Jongsun Wee and Heather J. Fye

What Matters in the Classroom? A Pre-Survey by Jean Prokott

(Download a .docx version of this survey here) Below are various factors that make a successful classroom. Please rank them in the order of which you think is most important (1) to less important (12). On the back of the sheet, justify your order/explain your process. Then, create a graphic organizer that represents how each … Continue reading What Matters in the Classroom? A Pre-Survey by Jean Prokott

From Café to Class: Bringing Book Clubs Into Your Classroom by Hayley Vetsch

It’s easy to discuss books if you like to read. Hobby reading comes easily to most of us English teachers, but I’d wager that it is one of the hardest things to teach in the classroom. In a time where longform is not the popular choice and 140-character essays reign, you can almost hear the … Continue reading From Café to Class: Bringing Book Clubs Into Your Classroom by Hayley Vetsch

The Sustainability of the Empathetic Teacher by Shaina Lane

At 6:30 on a snowy Monday morning, I click my key into the lock of the school office to start my day.  There is never anyone there before me, which I prefer because it gives me enough time to get myself together before adolescent bodies start streaming through the door.  I set my stuff down, change out … Continue reading The Sustainability of the Empathetic Teacher by Shaina Lane

Opposites Attract: Binary Opposites in Alice Sebold’s Lucky by Tanya Stafsholt Miller

The cover of Alice Sebold’s memoir reads, “In the tunnel where I was raped, a girl had been murdered and dismembered. I was told this story by the police. In comparison, they said, I was LUCKY.”  By juxtaposing the incongruous words “rape” and “lucky,” Sebold invites readers to ask, what does it mean to be … Continue reading Opposites Attract: Binary Opposites in Alice Sebold’s Lucky by Tanya Stafsholt Miller